Overview
Eligible applicants must be Live DMA members and are required to form consortia, made up of at least two members, to apply as a single entity. Applications must be submitted electronically via an open call before the deadline of November 15, 2025. The project will undergo a single-stage evaluation by the Live DMA coordination team, which will assess the proposals based on alignment with the HUBS objectives.
The initiative specifically targets the music sector, fostering transnational cooperation and the development of scalable solutions to common issues faced by the live music community in Europe. There is no mention of co-funding requirements, and while success rates are not provided, the expectations are for consortia to demonstrate clear solutions to identified challenges within their proposals.
Eligible activities must be directly related to the shared challenges outlined and should involve collaborative efforts such as team mobility, joint workshops, and pilot projects, contributing to knowledge exchange and strengthening the overall network.
In summary, the HUBS grant aims to facilitate cooperation and sharing of best practices within the European live music sector, empowering organizations to address critical issues and improve their collective impact through funded projects.
Detail
The opening date for submissions is June 18, 2025, and the deadline for submission is November 15, 2025, at 23:00 (Brussels time). The total funding available is 48,000.00 EUR. The project acronym is LSE III, and the full name of the EU-funded project is Live Style Europe III. The grant agreement number is 101184423.
To apply, a HUB consortium (group of applicants) must complete and submit a single application form. The application must include information about the HUB members, a description of the proposed action, and the foreseen results to communicate with other Live DMA members. The application must be submitted by November 15th, submitted electronically via the provided link (emails submissions are not accepted), submitted by an eligible applicant, submitted in English, and respect the character limits specified in each section of the application form. The electronic submission link is https://framaforms.org/hubs-application-form-1747729200.
The Live DMA coordination team will evaluate the projects to ensure they align with the HUBS objectives and conditions. The team may request additional information or clarification from applicants during the evaluation phase. Failure to provide adequate or missing information on time will result in the proposal's rejection. At the end of the evaluation, each applicant will receive an evaluation grid with comments and advice before the project starts. Complete guidelines and information regarding the HUBS can be found at https://live-dma.eu/call-for-members-the-hubs/. Questions can be directed to contact@live-dma.eu.
Eligible applicants are Live DMA members, including national or regional live music associations. Members can only participate in one HUB and submit one application. Live DMA members must collaborate in groups of two or more and submit a consortium application detailing the budget split, roles, and responsibilities.
Eligible activities must demonstrate a clear solution to a problem or challenge previously identified within the Live DMA network. These challenges include, but are not limited to, inclusion, accessibility, gender gaps, green transition, noise complaints, rising costs, gentrification, audience behaviors, and lack of public support. Eligible activities should directly address these challenges through collaboration, such as team mobility, staff residencies, joint workshops and training sessions, collaborative events, sharing methodologies, tools, and strategies, and experimentation with pilot projects. Activities should share useful knowledge or experiences that other members can learn from and use in their own work.
In summary, the Live Style Europe III (LSE III) initiative provides funding for collaborative projects within the Live DMA network, focusing on addressing challenges in the live music sector. Eligible Live DMA members can form consortia to propose and implement activities such as staff exchanges, training sessions, and pilot projects that promote transnational cooperation and offer scalable solutions. The application process involves submitting a detailed proposal outlining the project's objectives, activities, and expected outcomes, with a deadline of November 15, 2025. The initiative aims to strengthen the live music sector by fostering collaboration and knowledge sharing among its members.
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Breakdown
Funding Type: The funding type is a grant, as members will receive financial support to facilitate staff exchanges, training sessions, and collaborative projects. This is also indicated by the "Grant agreement number" provided. The funding is also referred to as cascade funding.
Consortium Requirement: A consortium of multiple applicants is required. Live DMA members must collaborate in groups of 2 or more and submit one consortium application. These groups are referred to as HUBS.
Beneficiary Scope (Geographic Eligibility): The geographic eligibility is implied to be within Europe, as the project is named "Live Style Europe III" and aims to strengthen the network and empower the live music sector in Europe. The call is targeted at Live DMA members, which are national or regional live music associations, implying a European scope.
Target Sector: The target sector is culture, specifically the live music sector. The project aims to strengthen the network and empower the live music sector through collaborative initiatives. The topic is also listed as CREA-CULT-2024-NET - European Networks of Cultural and Creative Organisations.
Mentioned Countries: No specific countries are mentioned, but the region of Europe is implied.
Project Stage: The project stage appears to be focused on development and implementation of solutions to existing problems, including experimentation of pilot projects. The HUBS activities must demonstrate that they provide a clear solution to a problem/challenge previously identified within the Live DMA network.
Funding Amount: The total funding available is 48,000.00 €. It is not specified how this amount will be divided among the selected HUBS.
Application Type: The application type is an open call, as indicated by "Open For Submission". Applicants must complete and submit an application form electronically.
Nature of Support: Beneficiaries will receive money to facilitate staff exchanges, training sessions, and collaborative projects.
Application Stages: The application process appears to be single-stage, as indicated by "Deadline model single-stage". The Live DMA coordination team will evaluate the projects to ensure they fit the HUBS objectives and conditions.
Success Rates: The success rate is not specified.
Co-funding Requirement: Co-funding requirements are not explicitly mentioned.
Summary:
The Live Style Europe III (LSE III) initiative, under the CREA-CULT-2024-NET topic, aims to strengthen the live music sector in Europe by providing grants to collaborative projects undertaken by Live DMA members. These members, consisting of national or regional live music associations, must form consortia of two or more to create "HUBS," dedicated peer-learning groups. The HUBS will address shared challenges within the live music sector, such as inclusion, accessibility, gender gaps, green transition, noise complaints, rising costs, gentrification, and audience behaviors. The funding, totaling 48,000 €, will support activities like staff exchanges, training sessions, collaborative events, and pilot projects that offer solutions to these challenges. The application process is a single-stage open call, with the deadline for submission on November 15, 2025. The Live DMA coordination team will evaluate the proposals based on their alignment with the HUBS objectives and conditions. The goal is to foster transnational cooperation and develop scalable solutions that benefit the entire Live DMA network, reinforcing the resilience and diversity of the European live music sector.
Short Summary
Impact The initiative aims to strengthen the European live music sector by fostering collaboration among Live DMA members to address common challenges. | Impact | The initiative aims to strengthen the European live music sector by fostering collaboration among Live DMA members to address common challenges. |
Applicant Eligible applicants should have experience in collaborative projects, particularly in the cultural and creative sectors, focusing on live music. | Applicant | Eligible applicants should have experience in collaborative projects, particularly in the cultural and creative sectors, focusing on live music. |
Developments Funding will support activities like staff exchanges, training sessions, and collaborative projects to develop scalable solutions for the live music sector. | Developments | Funding will support activities like staff exchanges, training sessions, and collaborative projects to develop scalable solutions for the live music sector. |
Applicant Type Nonprofit organizations, specifically national or regional live music associations that are members of Live DMA. | Applicant Type | Nonprofit organizations, specifically national or regional live music associations that are members of Live DMA. |
Consortium A consortium of multiple applicants is required, with groups of 2 or more Live DMA members submitting a single application. | Consortium | A consortium of multiple applicants is required, with groups of 2 or more Live DMA members submitting a single application. |
Funding Amount Total budget of €48,000, allocated across multiple HUBS, likely resulting in funding per hub being under €50k. | Funding Amount | Total budget of €48,000, allocated across multiple HUBS, likely resulting in funding per hub being under €50k. |
Countries The opportunity is relevant for EU and Creative Europe participating countries, as it targets the European live music sector. | Countries | The opportunity is relevant for EU and Creative Europe participating countries, as it targets the European live music sector. |
Industry Culture, specifically the live music sector within the Creative Europe programme. | Industry | Culture, specifically the live music sector within the Creative Europe programme. |
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